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Fringe
· Adam Vincent
· Mark Storen's A Drunken Cabaret
· The Age Of Consent
· Aid Concert Aid
· Akmal Live
· An Air Balloon Across Antarctica
· An Irish Joke
· Anthony Jucha
· As You like It
· Baggas
· Big Al
· Best Of Adelaide Comedy
· Berkoff's Women
· Blind Date
· Cal Wilson
· Confessions Of A Cultural Spy
· Chas Early & Richard Hurst
· Camille O'Sullivan
· Chalkies
· Conclusions On Ice
· Dave Callan's Daylight Savings For The Doomsday Clock
· Dave Graney
· David Hayward
· Domestic Bliss
· Faulty Towers The Dining Experience
· Follow Me
· Global Comedy
· Goering's Defense
· The Good Thief
· Grrilla Step
· Heath Franklin's Chopper
· The Idea Of North
· Johnny Cash Tribute Show
· Justin Hamilton
· Lawrence Leung
· Lovers & Haters
· Love, Lust & Lager
· Mark Trenwith
· Melbourne Ukulele Kollective
· Memmie le Blanc
· Mickey D
· Mommie & The Minister
· Murder In The Cathedral
· Pete Monaghan
· Peter Berner
· Portrait Of The Artist As A Young Mouse
· Rob Hunter
· Shouting Over Drunks
· Stuart Black
· Stephen Whittington
· Tomfoolery
· Trouble On Planet Earth
· The Very Best Of Empress Stah
· The Window
· Zack Adams

Adelaide Fringe Festival 2006

As You Like It
Rough Magic Prod
Adelaide Botanic Garden
Until Sat 15 March



'As You Like It' may not be up there in most people's minds with 'Hamlet' and 'Romeo & Juliet' as one of Shakespeare's most celebrated plays, but it does include some of those ever-quotable lines, like "all the world's a stage" and the bit about the seven ages of man. It also shows off some of Will's favourite plot points: disinherited characters, sudden love affairs, and girls dressing as boys for vaguely articulated reasons.

I've never been too fond of that sort of thing, really, and it seems more nonsensical in this play than in others, but this is not the forum to bash the Bard. The real question is: does the Rough Magic troop put on a decent production? And mostly, the answer is yes. The cast seize onto their roles with vigour and humour, managing the sometimes-difficult task of getting genuine laughs from 400-year old language. The performances are quite broad, even for a comedy, but a similar enthusiasm comes across very well in the romantic moments and one exciting fight scene. That it's all done with minimal staging in the Botanic adds a lot.

One thing that niggled at me was the addition of overtly modern touches: Oliver, Orlando's brother, is a golf-club toting yuppie, the Duke's servant has a mobile phone and earpiece, and so on. These never have any impact on the storytelling, and so their presence seems rather pretentious. A lot of effort was put into the costumes; why not play them straight? I also think that some of the extraneous subplots could have been trimmed for time's sake, but you can't really blame a theatre company for sticking to the script.





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